Blood Orange - Champagne Coast

Yasiin Bey - N****s in Poorest

2012-05-31

foxesinbreeches:

mirabile—-visu, dilaudid-dilaudid:

toccare capezzolo 20 punti

araki

(via foxesinbreeches)

experiences when they more frankly involve the body.

Que Que - Dillon Francis & Diplo feat Maluca

2012-05-30

MORRI$ - Faded Off

nowlisteningto:

Most of the time you can find a healthy blend of electronic music stylistics and beat oriented composition in the work of MORRI$ (real name Philesciono Canty) and his latest drop “Faded Off” is direct proof to the blend of sounds. Signature house synth is pitted against hard hitting trap beat percussions for this one and it works beautifully.

(via bearclubmusicgroup)

Source: nowlisteningto

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Source: soundcloud.com

Max Ernst La femme 100 têtes (1967) pt1

let me tell you why i like this blog (http://unbearablevision.tumblr.com/)

i like how that images alone can be compelling enough to really want to look at them more, to want to reach for a movie from nowhere. two sides, 1. while you know you will handed more than the the images themselves offer 2. sometimes the reminder that film is also a series of images feels particularly grounding.

2012-05-29

lost meaning, power of imagery,

was it taunting whistles or taunting whispers?

just look at a kesha music video and the images she plays to.
her work has no value outside of the aesthetic appeal.
look at a madonna video from the 80s. or a bowie video.
or any hair rock, or johnny cash, or rat pack, or folk song.
the goal isn’t to knock them, but to call on their images as vehicles.

if you’re not comfortable with martyrdom, use someone else’s body, call on their name and plug their image back into the crowd.

television and working well to produce powerful images (images of power).
sean hannity may do his show in public in front of a small and engaged crowd,
cameras add 10 lbs, or more than that if you position them correctly.

how do you track the loss of meaning?

unrelated:
moving collage, lost meaning, and a stuttering effect (stuttered transference of meaning), so that the source of a ___ is scattered along, making it difficult to track.

words and titles, names of things, labels. to what degree are they also just calling on images, images tied to moods, images tied to memories tied to moods. to what degree are we looking for the “right moods at the right times” to help us get through, get along, get on, build. how are we using old images to remind us, to control our own moods.